The installation Under the Turf, the Tide connects the landscape of the Eemland polder to two urgent challenges: sustainable food production and the restoration of biodiversity. The work invites a…
Mountains
I took this photograph on January 12, 2026, from a bus, traveling on the highway past a wintery Eemland. No walk, no setup, no carefully chosen viewpoint. The landscape slid…
Lately I’ve been deep inside the Research Catalogue, building an exposition that refuses to sit still. Instead of thinking of it as a repository or archive, I’ve been treating it…
This is NL_MIX – the app I made to study the future of the Netherlands with. The app combines visual material I took from future-of-the-Netherlands online glossies (pdf’s) produced by many,…
The ISEA2025 proceedings are out, and I’m excited to share that our paper “Walking with AI: Speculative walking as artistic practice” is part of it. Written together with Steven Devleminck…
“The ideal gallery space is a white, cube-shaped room, in which the walls and ceiling are unshadowed, the floor unobtrusive, and the art is isolated from everything that would detract…
‘Brilliant Orange’ (which is about Dutch football, really) has a whole chapter about how “Dutch space is different”, quoting Rudi Fuchs and a number of other authorities. Leaving out the…
A river of words has been flowing through the Hoogwaterwinkel in Rotterdam. Projected on the wall, a vertical current of terms—slip, silt, confluence, mouth, seep, estuary—slowly passes by. Some are…
Returning from POM Perth 2025, I find myself wrestling with questions that extend beyond the fascinating presentations on synthetic sentience and into the realm of how we build and sustain…
Just got back from a whirlwind week in Copenhagen, where I joined 47 other PhD researchers from across Europe for the LERU Doctoral Summer School 2025. Hosted by the University…
