‘nother labyrinth.  I’ve been fascinated by de Hooch’s use of perspective in his paintings of indoor scenes for a while – his humans are merely an afterthought. In this he is very unlike Vermeer, fhis Delft contemporary. I was asking myself the following question: what would de Hooch paint if he would walk around in Holland today? Riding shotgun on the A2 I found a sort-of answer, at least something I wanted to try. So I gathered material for this compilation – it’s a little stilted, but may be a beginning.